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Public life as performance
RICHARD SENNETT
The arts sector has long been unthinkingly in thrall to the supposedly “progressive” left but a coherent, coordinated, conservative strategy could, and should, shift the consensus
Alexander Larman on Theatre ● TO KICK OFF ...
Jacob Collier is on stage with the Britten Sinfonia, in a packed-out concert hall. We’ve already been treated to a freewheeling, virtuosic and wildly joyful programme, ranging from Bob Dylan to scat-s
“Between you and me …”
Over a long career, John Hardman has specialised to great effect in teasing out, from speeches, decrees, minutes, memoranda, letters, diaries and unsent drafts, the varied moods of French political de
The smell of the greasepaint, the roar of the crowd, the flare of the floodlights – what enchantments they conjure! If you’d visited a regional playhouse over two centuries ago, though, a very differe