Nods and winks of recognition

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From his unnerving shorts to his three previous feature films (Hereditary, Midsommar, Beau is Afraid), Ari Aster is no stranger to controversy, but Eddington, his neo-western set during the height of

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So we’re back, for another “celebration of the mysterious, the miraculous and the downright weird” – but does our motorcycle-mad host the Reverend Lionel Fanthorpe have any new tricks up his sleeve in

The Americans are even more prone than the British to the biographical doorstopper as a way in which to honour the lives, minute by minute, of their famous dead. Walter Isaacson and Jon Meacham are am

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