Writing exclusively for RT , Tom Hiddleston explains why, after 10 years, he had to bring back John le Carré’s spy – and how the author encouraged him to “keep the flame alive”

After the premiere of his orchestral piece Coptic Light in 1986, Morton Feldman was described by an irate American critic as ‘the most boring composer in the history of music’. Listeners coming to his

Portrait by Izabella Krasa THE SFX AUTHOR INTERVIEW ...

The Night Manager makes its long-awaited return — and it’s still a must-watch

The unconventional instrumentation favoured by Tortoise is an indicator of how many different lineups have always jostled for space under the jazz umbrella. The national treasure that is The Pete Alle

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