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Ambiguity in Shakespeare’s theatre of war
ANDREW HADFIELD
The article on the battle against U-boats in the Second World War in the November issue omitted perhaps the most important episode. That was the part played by the late Joe Baker-Cresswell of Bamburgh
The year 1966 saw a new bright star light up the London stage. The play was Rosencrantz and Guildenstern Are Dead and the playwright was Tom Stoppard who, at 29, was the youngest person ever to have a
Theatres offered something for everyone in the 19th century, presenting recitals and opera, Shakespearean plays, or lively mixed programmes of comedy, song and dance that attracted enthusiastic – and
The development of our relationship with radio
In defence of the libretto and the librettist
A liberal thinker about the American century