The female haze

With a strength of character that belied her fragile looks, Élisabeth Vigée Le Brun pushed the boundaries of royal portraiture and, after the French Revolution, challenged the loss of female influence via every frill and fold in her work

The Graces, dancing in a circle, nude or veiled in diaphanous gowns, celebrated ideal beauty, but were also the touchstone in the battle for supremacy between painting and sculpture, as Michael Prodger reveals

Marie Antoinette’s passion for furniture and genius for bagatelles, however evanescent their purpose, filled the French royal palaces with beauty and charm, as Matthew Dennison reveals

After a life-threatening illness spurred Helene Kröller-Müller to make plans for a museum, she bought modern art voraciously, forming an extraordinary collection that shaped the early-20th-century perception of Vincent van Gogh

Anthony Lawrence, a New Forest artist, painted everything from Dante’s Inferno to portraits of Ian McKellen and Yehudi Menuhin. This October, Palais des Vaches presents the first major retrospective o

Charlotte Mullins comments on Elizabeth I when a Princess