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The author disavowed his interviews with the press
LEO LENSING
After the premiere of his orchestral piece Coptic Light in 1986, Morton Feldman was described by an irate American critic as ‘the most boring composer in the history of music’. Listeners coming to his
A liberal thinker about the American century
In defence of the libretto and the librettist
A dark tale of a marital stand-off
LESTER COHEN / GETTY Lazarus: The Second Coming ...
Yet, given the dark and often introverted nature of the concerto, it’s hardly surprising that Shostakovich kept the work under wraps for so long, feeling that programming it was inadvisable until the