Europe
Asia
Oceania
Americas
Africa
Michelangelo’s perfection of the embodied mind
JAMES HALL
Taking as many guises as his names, the Prince of Lies turned at times into a man-devouring ogre, a mutant medley of claws, horns and wings, or the brooding rebel that lit the imagination of Romantic painters, as Carla Passino discovers
Capturing the immediacy of fighting and the writhing bodies of soldiers, as well as keeping narrative clarity, proved enormously difficult for painters depicting battles before the advent of photography. Michael Hall reveals how they rose to the challenge
From rustic barns to Riviera villas, Pablo Picasso’s studios were engines of invention. Picasso: From the Studio at the National Gallery of Ireland, in partnership with Musée national Picasso-Paris, t
MARK CORETH has gone small—not the man himself, ...
Vermeer: A Life Lost and Found Andrew Graham-Dixon ...
Works by certain artists often become symbolic of a particular era. This is an angle which has proved very popular with visitors to London’s National Gallery in recent years and, this month, welcomes