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The peripatetic life of a modern master
STEFANIE HUNDEHEGE
A liberal thinker about the American century
Around 15 years ago, together with two colleagues, I was compiling and translating an anthology that was eventually published as The Penguin Book of Russian Poetry. We were eager to include previously
The unconventional instrumentation favoured by Tortoise is an indicator of how many different lineups have always jostled for space under the jazz umbrella. The national treasure that is The Pete Alle
Why do we like what we like?
After the premiere of his orchestral piece Coptic Light in 1986, Morton Feldman was described by an irate American critic as ‘the most boring composer in the history of music’. Listeners coming to his
A New York conservative’s writing life