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A new production – and translation – of Chekhov’s everyday mast
Sondheim’s final musical, inspired by Surrealism, has a ‘mesmerising oddity’ unlike any other, but is nonetheless compelling, and a Chekhov-inspired play is as riveting as an Ibsen-based one is lacking in depth
A new production of George Bernard Shaw’s ‘very Victorian problem play’
Conor McPherson’s new play, with echoes of Chekhov
Opera: The Queen of Spades/L’elisir d’amore Garsington ...
Theatre: Mrs. Warren’s Profession The Garrick Theatre, ...
SPIRITS MAFALDA QUINO Translated by Frank Wynne ...