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The occult imagination of Ithell Colquhoun
JENNIFER HIGGIE
You enter the Tate Britain exhibition through a windowless red corridor. It’s a claustrophobically vaginal approach, echoing themes of the art on display beyond the big red door. This is the world of
Colour provides an avenue into ‘worlds’, or spheres-of-being, other than that recognised by everyday perception”.1 So said the artist and occultist Ithell Colquhoun, summarising the colour-theory of t
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“Hands of Saint Dominic” by Albrecht Dürer, 1506; ...