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Can English translations ever measure up to Dante’s epic poem?
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Had Robin Holloway published Music’s Odyssey—described by its author as “an invitation to the glorious long voyage of Western classical music”—30 years ago, he might well have got away with it. By day
“Where are we to begin?”, Virginia Woolf asks in her essay “How to Read a Book”. “How are we to bring order into this multitudinous chaos and so get the deepest and widest pleasures from what we read?
‘They shut me up in Prose – As when a little Girl They put me in the Closet – Because they liked me “still”.’ The words (and eccentric capitalisation) are Emily Dickinson’s, the opening salvo in a bol
Joyce DiDonato (mezzo), Time for Three Platoon PLAT29101 65:05 mins Is it a song cycle? An opera? Musical theatre? Kevin Puts’s new work Emily – No Prisoner Be, based on texts by Emily Dickinson, is a
Authorial intelligence versus artificial intelligence: an ongoing palaver. We would rather think as little as we can about the possibilities of both; but it seems irresponsible to ignore the intellect
ILLUSTRATION BY PAUL COX Going full Celt VOICING ...