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Creation and destruction, death and rebirth: Anselm Kiefer at eighty
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The secret meaning of Vermeer’s art
After the premiere of his orchestral piece Coptic Light in 1986, Morton Feldman was described by an irate American critic as ‘the most boring composer in the history of music’. Listeners coming to his
Leigh Lawson has embraced acting and poetry with the same determination that sustained Marie Lloyd, the music-hall queen whose memorabilia he collects, as Carla Passino discovers
A critic with ‘an almost devout passion for good poems’
Gustav Klimt’s Portrait of Elisabeth Lederer made headlines when it was sold last month, but behind the dizzying price and the magnificent artwork hides the story of an ingenious ruse to escape Nazi persecution
LESTER COHEN / GETTY Lazarus: The Second Coming ...