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The playful, melancholic genius of Erik Satie
RUSSELL WILLIAMS
On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just
Jonathan Gaisman is a KC and a writer on cultural topics
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December round-up Although he’s been writing and performing for many years, Donald WG Lindsay might come across as a bold new Scottish talent on Two Boats Under the Moon, his excellent two-disc debut
Claire Jackson’s opinions on Brahms (Hero or Hype?; August) resonated with me. I studied his First Symphony for O-Level, and his Fourth for A-Level. Then at college, my piano teacher insisted I learn
‘Dear Mr Grieg: I am writing to you in connection with a plan that I propose to implement, and in which I wish to invite your participation.’ The tone is impeccably formal and business-like, but the l