John P. Murphy New Deal Art 336pp. Thames and Hudson. Paperback, £19.99. Seymour Fogel’s “Wealth of the Nation”, installed in 1942 in a federal building in Washington DC, depicts a group of workers en

Objects and props, theatrical lighting and the hint of hidden narratives mark an evolution in Michael Alford’s approach to painting the female nude. With an abiding interest in depicting human figures

Objects and props, theatrical lighting and the hint of hidden narratives mark an evolution in Michael Alford’s approach to painting the female nude. With an abiding interest in depicting human figures

Exhibition of the week Lucian Freud: Drawing into ...

John Piper was a modernist who rejected Modernism, a versatile artist who defied categories, but one who remained true to the spirit and detail of the places he painted

There’s no shortage of great picks at this year’s TEFAF Maastricht, the Netherlands, including a Barbara Hepworth sculpture, a pastel portrait by Dora Maar and two sections of 4th-century Roman mosaics