© HEADER DRAWINGS BY MICHAEL HADDAD/HEART Leaves Byung-Chul ...

IT was new to Eleanor, this feeling. An image of Michele floated into her mind during every moment of her day – an outline of him, or the colour of his eyes. He disturbed her vision when he wasn’t pre

The writer Daphne du Maurier was fascinated by the English country house. Jeremy Musson explores her evocation of these buildings with the help of specially commissioned drawings by Matthew Rice

IT was two days until Christmas and the afternoon sky was blue and crisp as Lydia’s car pulled up in front of the magnificent Bristol Hotel. Why was it called the Bristol? she wondered. It was nowhere

Andrew Graham-Dixon tells Carla Passino why he thinks we have read Vermeer wrong all along– and who the Girl with a Pearl Earring really is

Late stories of a self-styled ‘arguer with the world’