In defence of the libretto and the librettist

From espresso machine to percolator, there are many ways to make a cup of coffee, and such is the case with Bach’s cantata, too. Sporting just two soloists plus cameo narrator, tracking down a vocal d

The unconventional instrumentation favoured by Tortoise is an indicator of how many different lineups have always jostled for space under the jazz umbrella. The national treasure that is The Pete Alle

Stephen Sondheim’s resonant, melancholy musicals

Yet, given the dark and often introverted nature of the concerto, it’s hardly surprising that Shostakovich kept the work under wraps for so long, feeling that programming it was inadvisable until the

Leigh Lawson has embraced acting and poetry with the same determination that sustained Marie Lloyd, the music-hall queen whose memorabilia he collects, as Carla Passino discovers