Right place, right time

Exhibition of the week Lucian Freud: Drawing into ...

John Piper was a modernist who rejected Modernism, a versatile artist who defied categories, but one who remained true to the spirit and detail of the places he painted

There’s no shortage of great picks at this year’s TEFAF Maastricht, the Netherlands, including a Barbara Hepworth sculpture, a pastel portrait by Dora Maar and two sections of 4th-century Roman mosaics

John P. Murphy New Deal Art 336pp. Thames and Hudson. Paperback, £19.99. Seymour Fogel’s “Wealth of the Nation”, installed in 1942 in a federal building in Washington DC, depicts a group of workers en

Close your eyes and picture Anne Boleyn. Chances are you can conjure up a pretty clear and detailed image in your imagination – because few figures in English history seem as visually familiar as Henr

England in the 18th century had no love for its landscape, preferring instead Italianate views, until George Stubbs came and decided to paint his horses true to the setting in which they lived, as Bendor Grosvenor reveals