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Grappling with how to approach great works of art by bad men in the book Monsters:
MIDWAY THROUGH MONSTER: THE ED GEIN STORY, the title character stares into the camera and warns: “You shouldn’t be watching this.” He’s talking to two strangers who’ve interrupted him in the bloody af
Guillermo del Toro’s version of Mary Shelley’s myth
On being told that they had been bitten by a venomous snake, most eight-year-olds would panic. Not Nicholas Jubber; he was not terrified but disappointed by a diagnosis that contradicted his own. Nich
Piecing together the inspirations and evolution of Mary Shelley’s famous monster
Taking as many guises as his names, the Prince of Lies turned at times into a man-devouring ogre, a mutant medley of claws, horns and wings, or the brooding rebel that lit the imagination of Romantic painters, as Carla Passino discovers
ONE OF THE MOST GRIMLY FUNNY POEMS OF the past century is Philip Larkin’s “This Be the Verse,” with its opening salvo about how our parents invariably mess us up. Larkin used a saltier word for “mess,