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BY STEPHANIE ZACHAREK
REVIEW
Ari Aster’s contemporary western goes west; lust and liturgy in a Slovenian girls’ choir; a professor’s traumatic past; and more
From his unnerving shorts to his three previous feature films (Hereditary, Midsommar, Beau is Afraid), Ari Aster is no stranger to controversy, but Eddington, his neo-western set during the height of
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