The golden fears

Fresh from a scene-stealing turn in Wednesday , Catherine Zeta-Jones tells Christobel Hastings about sword fights, Joanna Lumley and how playing Morticia Addams has reignited her career

LEGENDARY AUTHOR AND CRITIC KIM NEWMAN BRINGS US HIS UNIQUE TAKES ON CULT CINEMA

NEIL MARSHALL’S CLAUSTROPHOBIC CREATURE-FEATURE THE DESCENT WAS DOUSED IN BLOOD AND TEARS. TWENTY YEARS ON, WE REUNITE HIM AND HIS CAST TO CELEBRATE THEIR UNCOMPROMISING TUNNEL-VISION

Guy Pearce

John Maybury was a fellow graduate of the Derek Jarman school of filmmaking, and it was in those heady, early days that he first became aware of Tilda Swinton. The pair worked closely on two challengi

‟There could be no doubt about his sex, despite the feminine appearance.” These words open Sally Potter’s 1992 film Orlando, taken loosely from the opening sentences of the Virginia Woolf novel from w