The boy in the boat

2 min read

EXCLUSIVE

IO CAPITANO Matteo Garrone turns to a teen from Senegal for the ultimate hero origin story.

Aperilous sea crossing to Europe awaits

Gommorah and Pinocchio director Matteo Garrone’s films were previously confined to Italy’s shores, but in his latest, Io Capitano, Sicily is the light at the end of a dark and dangerous tunnel. Teenager Seydou (Seydou Sarr) makes the journey there from Dakar, but faces torture, starvation, and enslavement before he even reaches the sea crossing. It’s a tough but radically beautiful watch, filled with magic, agony and triumph. But sadly, as director Garrone tells Teasers, ‘the reality is even worse. Sometimes, it’s difficult to recreate things that are so violent they can look unbelievable. So this is an invocation of that violence rather than a representation.’

In 2023, nearly 3,000 people are estimated to have died attempting the crossing from north Africa to Europe (Italy’s prime minister, Giorgia Meloni, reportedly once said she’d ‘repatriate migrants back to their countries and then sink the boats that rescued them’).

Garrone counters that narrative with ‘the classic journey of a hero fighting against the system’. On a trip to Sicily over a decade ago, he met Mamadou Kouassi, who, aged 15, steered a boat of 250 refugees across the Mediterranean. Garrone emphasises: ‘He’d never driven a boat! He didn’t even know how to swim, and he saved all their lives.’ Kouassi worked as script consultant on the film and is now settled near Naples. Garrone points him out, smiling in a sharp suit while checking in to the chic London hotel where the team is staying. It’s hard not to shed a tear seeing a real-life hero get a happy ending.

Seydou (Seydou Sarr) and other migrants journey across Africa to the coast
ALTITUDE, GRETA DE LAZZARIS

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