Silent but deadly

3 min read

BOY KILLS WORLD Bill Skarsgård keeps it quiet for a coming-of-rage comedy actioner…

It’s a revenge fantasy about a deaf assassin… It’s a cocktail of anime action, Looney Tunes comedy and video-game violence… A dystopian satire and a psychological coming-of-age story… It’s Crank in The Hunger Games. It’s The Raid playing Fortnite… Luckily, director Moritz Mohr didn’t have to pitch Boy Kills World to anyone – he just skipped straight to making the trailer himself.

‘Basically me and Dawe [Szatarski] decided we needed to do something cool. Something fun. Something we could actually stand behind,’ says Mohr, speaking from his home in Berlin, of his debut feature. ‘Dawe is this great martial artist – at this point he’d already worked on [the] Kingsman [movies], in the stunt department – so we just made a trailer together. We shot it in four days, it took us almost a year to finish it, and since nobody got paid, it was super rough. But then I just took a gamble. I flew to LA, I slept on a friend’s couch and I showed it to anyone who would watch it. A few days later I was sitting with Sam Raimi. Six years after that… here we are!’

It was a bumpy six years, the production bouncing between studios and twice halted by the pandemic. But by convincing Hollywood’s original DIY expert to produce, Mohr could at least glory in Raimi’s advice to pour all of his own obsessions into the final film. ‘It was insane, because Evil Dead II is one of my favourite movies,’ he grins. ‘We talked a lot about what we loved. I love old kung-fu movies. I love Asian cinema. I play a lot of video games and I read a lot of manga. Anime is a big influence. But also shitty little Saturday-morning cartoons that I loved growing up. I knew I wanted to make a revenge movie with a deaf protagonist, but that was literally the one constant.’

Originally imagining someone younger for the lead, Mohr eventually landed on Bill Skarsgård – drawn to his silent menace as Pennywise in the It horror franchise. ‘He’s almost two metres tall, and that’s not very boyish,’ laughs Mohr. ‘But at the same time, he’s literally perfect for this. He has this childlike innocence. And he can fight. We did this little test with him – just some weapons training, some knife combinations – and I was like, “Holy fucking shit.” He has these really long limbs and it just looked super fucking cool. It looked fresh.’

Orphaned as a child by a corrupt elite (including Sharlto Copley, Famke Janssen and Downton Abbey’s Michelle Dockery) who stage state executions on reality game shows, ‘Boy’ loses his hearing and his voice along with his family, before escaping into the jungle to learn fighting skills from a lone guru (The Raid’s Yayan Ruhian). What he doesn’t lose, though, is his inner monologue. In the ve

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