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MAKING OF ANORA
Winner of this year’s prestigious Palme d’Or in Cann
ONE OF THE MOST HE’S CEMENTED HIMSELF AS EXCITING ACTORS AROUND. NOW, AS HARRIS DICKINSON UNVEILS HIS DIRECTORIAL DEBUT, HE TELLS US WHY HE KEEPS PUSHING THINGS FORWARD
‟There could be no doubt about his sex, despite the feminine appearance.” These words open Sally Potter’s 1992 film Orlando, taken loosely from the opening sentences of the Virginia Woolf novel from w
“I’VE ALWAYS BEEN SUCH A PUNK,” filmmaker Natasha Lyonne muses. “But AI is the thing that’s going to flip me into a hippie. Because now’s the time to get super low to the ground and human.” Lyonne has
Venice Film Festival sets the stage for the A-list’s defining career moments
DIRECTOR JULIA JACKMAN AND STAR MAIKA MONROE ON THEIR FEMINIST FAIRY TALE, 100 NIGHTS OF HERO
ILYA NAISHULLER ON HIS RIOTOUS ACTION-COMEDY