Classic soundtrack the third man

Hildur Guðnadóttir is scrolling through her phone. Whereas most people use the device to collect photographs and notes alongside contact numbers, the Icelandic composer records snippets of music. Thes

‘What Americans call safe music bores me,’ declared Michel Legrand in a 2005 interview, in which he reflected on the high profile he had achieved as one of the world’s leading film composers. ‘If you’

Jan Smaczny is enthralled by Isabelle Faust’s unique approach to the demanding material of Bach’s little-known violin works JS Bach Sonatas for Violin and Continuo Isabelle Faust (violin); Kristin von

Michael Chabon’s novel of superheroes and villains reborn as opera

Everything We Do Is Music – How 20th-Century Classical Music Shaped Pop Elizabeth Alker Faber 304pp (hb) £20 The concept behind Elizabeth’s Alker’s book is spelled out in the subtitle: ‘How 20th-Centu

In Humoresque (1946), John Garfield plays a virtuoso violinist. By then, Garfield was an Oscar-nominated actor, but he was no violinist. That said, his ‘performances’ are pretty convincing. Why? Becau