FEW GUITARISTS HAVE shaped progressive and avant-garde music as profoundly as Robert Fripp. With King Crimson, Brian Eno, David Bowie and others, Fripp perpetually reinvented the six-stringed wheel wi

IF YOU SPEND just 10 minutes listening to the music of the whacked-out, Los Angeles-based psych-punk rockers Frankie and the Witch Fingers, you’ll undoubtedly think, “How on earth does that guitarist

BY THE SUMMER of 1974, King Crimson had reached critical mass. Albums like In the Court of the Crimson King (1969), Larks’ Tongues in Aspic (1973) and Starless and Bible Black (early 1974) had seen th

Charlie Wilkins uncovers how early British blues shaped today’s scene, and hears from some of the guitarists carrying the torch forward

WHEN LENNY KRAVITZ released Circus, his fourth album, in 1995, he was coming off the back of the career-defining, global success of 1993’s Are You Gonna Go My Way. That album — and the single of the s

AS I STATED last month, my favorite band line-up is the guitar-bass-drums power trio. With the guitar being the primary chordal and melodic instrument in the ensemble, there are challenges inherent in