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After some considerable time, the Les Paul Custom returns to Gibson USA’s production line-up in classic 70s style, while the lesser Marauder is celebrated with a limited throwback design. Time to investigate!

VERY FEW NAMES in our industry command as much respect as John Suhr’s. His creations are widely considered to be world-beating manifestations of design and craft colliding at the highest possible leve

DURING THE MID-EIGHTIES, Ibanez became stuck in a rut. Although the company’s guitars sold pretty well, they were rapidly losing market share to up-and-coming competitors like Charvel/Jackson, Hamer,

NOW, LET’S BE clear — although this 15-watt combo is technically advertised as a practice amp, it can churn out some serious sonic damage and is capable of keeping up with metal drummers at rehearsal.

Upholding the craft of the luthier, Patrick James Eggle’s latest build is another reason to look closer to home if you want the best

TRADITION CAN BE a gilded cage for guitar companies with a long and famous history such as Martin. On the one hand, Martin’s original D-28 is, to this day, most people’s mental template for what an ac