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Distor t ion and fuzz not hea rd si nce the ’60s
Manson Guitar Works’ first stompbox delivers a high degree of variation in your fuzz tone
ONE OF THE most inspiring guitar tones is the sound of a tube amp that’s just on the edge of breaking up. There’s something truly magical about a combo that hovers between clean and distorted, coaxing
WHERE DEMAND FOR pedal effects grew exponentially during the early Seventies as musicians sought new sounds, many stomp box designers turned to the synthesizer for new inspiration. Mike Beigel was amo
Fender reaches into its archives to bring this lesser-known classic back to life. Let’s see if it captures the original magic
Dan Coggins makes the drive section of his award-winning Cogmeister powerhouse available as a pedal of its own
Long hidden in the shadows of Fender history, the early 60s brown-panel Super Amp has reemerged. Senior product manager, Rick Heins, talks us through its rebirth