6 ways to nail a cover version

THIS MONTH, I’D like to talk about the paramount importance of the right, or pick, hand — how it’s the keeper of time and the thing that gives us the groove while we play. I’ll demonstrate some exampl

IN MY PREVIOUS “Blues You Can Use” columns, I focused on what I consider to be essential rhythm guitar and accompanying single-note patterns that exemplify Chicago-style blues guitar, as heard in the

Few guitarists are loved as equally for their acoustic work as their electric playing but such is the unique talent of Richard Thompson . We meet him to find out how he’s preparing to go head-to-head with Tommy Emmanuel, chat about the end of his touring days, and talk alternative tunings

In the second part of this lesson, Richard Barrett asks you to lend your ears to the sounds of the silver screen for real-life context

AN ESSENTIAL ELEMENT of playing music is being aware of “where” you’re playing in the beat and how it relates to the groove being laid down by the rhythm section. This concept can be broken up into th

A BIG PART of blues is playing over a “shuffle” groove — a triplet-driven swing-eighths feel with a backbeat (accents on beats 2 and 4) — at various tempos. There are many great shuffle-based tunes. A