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REVIEW
The all-conquering t ravel acoust i
TRADITION CAN BE a gilded cage for guitar companies with a long and famous history such as Martin. On the one hand, Martin’s original D-28 is, to this day, most people’s mental template for what an ac
VERY FEW NAMES in our industry command as much respect as John Suhr’s. His creations are widely considered to be world-beating manifestations of design and craft colliding at the highest possible leve
How was it that the Mini became ‘cool’ during the Swinging Sixties? We investigate by attempting to separate fact from fiction
DURING THE MID-EIGHTIES, Ibanez became stuck in a rut. Although the company’s guitars sold pretty well, they were rapidly losing market share to up-and-coming competitors like Charvel/Jackson, Hamer,
WHEN IT COMES to tech, the Boss VG-800 sits at the cutting edge, not just in terms of modeling amps and effects, but transforming your guitar into an entirely different instrument. It can make your St
THE ULTRA AND Ultra II succeeded Fender’s Elite range as the manufacturer’s highest-end California-made production six-strings, with its most contemporary specs, including neck heel and rear body cont