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What’s on Carmen Vandenberg’s pedalboard?
Words Jenna Scaramanga
LATE-FIFTIES OIL CAN echoes are fascinating pieces of gear. Imagine a rotating disk submerged in oil and built-in pickups that work in tandem to recreate the delay. Sounds a little wacky, right? But s
The modern-day funk maestro on Strats, creative gear solutions, and why not to be swayed by the “mystique of gear”
I’M NOT SURE if it’s the three-inch heels on her Doc Martens, but Emily Green dwarfs me as she strides across the stage. It’s about an hour before her band, Geese, soundchecks for their sold-out show
This guitar is in great cosmetic shape but needs work to make it a playable proposition
A STAPLE OF many great country and country rock songs — and, in the hands of Jimmy Page and Albert Lee, rock songs — is the sound of the B-bender. For those unfamiliar, a B-bender is a string-pulling
ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec