Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

“Yeah, he loved the whole thing,” says his bandmate, Queen drummer Roger Taylor. “You know, the house would have been full of all these decorations. He loved his decorations. And he had a great, unerr

London Shepherd’s Bush Empire

H.e.a.t frontman Kenny Leckremo on the records, artists and gigs that are of lasting significance to him.

Not many people change the world, but Bob Geldof did. So why is he so ambivalent about his achievements with Live Aid? Geldof and writer Paul Vallely discuss their new book Live Aid: the Definitive 40-Year Story

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