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THERE ARE VARYING degrees of guitar hero, but Carlos Santana is a name you’d expect to find near the top of any list. Like Jimi Hendrix, Brian May or Slash, Santana has transcended guitar music and pe

WE WERE THE first band of our generation that started to grow up,” Billy Corgan says, reflecting on the making of the Smashing Pumpkins’ 1995 grand opus, Mellon Collie and the Infinite Sadness. “The b

Mike Zaite explains how a background in electronics and a front-row seat to the British Invasion of the 1960s led to the formation of Dr Z Amplification – and why the sonics always lead the schematics

WHILE MOST DUAL-GUITAR bands tend to have designated roles in terms of what kind of sonic space their members occupy, Momma six-stringers Etta Friedman and Allegra Weingarten enjoy being unrestricted,

From a home in England’s West Midlands, to Knebworth and Live Aid with Led Zep and back, via fame, fortune, tragedy and musical resurrection – ROBERT PLANT ’ s come full circle. A new album with local heroes Saving Grace exemplifies his hard rock apostasy, the reason he’d rather worship Nora Brown than hang with Axl Rose. And if all else fails? “I’ll just be an Elvis impersonator!” he tells KEITH CAMERON .

AL JARDINE WILL be the first to tell you he didn’t play much guitar for the Beach Boys in the Sixties. Early Beach Boys albums — like Surfin’ Safari (1962) and Surfin’ U.S.A. (1963) — feature plenty o