In 1966, BOB DYLAN hit his wildest white-hot creative peak yet, recording one of his most iconic albums, Blonde On Blonde , and blazing new ground with his controversial electric tour with The Hawks. As the Bob Dylan Center in Tulsa prepares a major new exhibition exploring this tumultuous year, Uncut is offered an exclusive preview of what they have in store. Meanwhile, we go behind the scenes of Blonde On Blonde and reconstruct Tour ’66, as eyewitnesses share new tales of late nights, cold mornings and chance encounters. “It’s Dylan as spectacle, in a very combative way,” learns Damien Love. “This is me – deal with it .”

Puscifer ’s driving forces Maynard James Keenan and Carina Round discuss soundtracking the end times and why we all need to put down our phone and pick up a glass of gin.

Metallica ’s 1984 began with a gear heist and a cancelled UK tour; it ended with them being heavy metal’s Next Big Thing. Then came Master Of Puppets. This is the inside story of the making of that album and the two year whirlwind that took four “alcoholica” outcasts from the El Cerrito garage to the big time.

In the wake of Peter Gabriel’s departure, GENESIS faced an existential question: carry on, or call it a day? Looking back 50 years, band members revisit the fraught months after their first frontman’s exit – and the creative surge that set the scene for one of rock’s most improbable second acts. “The band was meant to be dead and buried,” learns Peter Watts. “But we refused to lay down and die.”

IN THE MID-EIGHTIES, ZZ Top went from being a group of Texas-bred blues bangers to a chart-topping powerhouse on the strength of albums like 1983’s Eliminator and 1985’s Afterburner. But neither of th

Big Big Train cofounder Gregory Spawton on the records, artists and gigs that are of lasting significance to him.