Meeting people is easy

Celine Dion, a tree made of coat hangers, Crufts… Thirty years after the startling experiments of Tilt defined SCOTT WALKER ’ s latter-day career, his collaborators reveal all about the idiosyncratic working practices that took him from teen idol to avant-garde hero. “It was almost like a rejection of his past,” one eyewitness tells Rob Hughes. “Almost like anti-music.”

It was a 24/7 existence. The phone did not stop ringing. It was like being on Concorde for six years, and I loved it. The speed at which they went from A-Z was incredible. They did the Marquee, then t

In August 1991, Oasis played their debut gig at the Boardwalk club in Manchester – Noel Gallagher was in attendance to see his younger brother’s band, which he would soon join, assuming control over t

The human experience is hard. One of life’s pleasures for Eureka Machines is “having these little tunes, at gigs, that give people a couple of hours to get out of their heads”.

Cradle Of Filth’s corpsepainted frontman on his skate punk roots, exploding basketballs, and 11th-century ghosts

With his cape and on-stage curry, he defined prog rock excess. Breakdowns, penury and near-death were the prices paid, but somehow the baroque synth lines and droll quips kept flowing… and still do. “I’m my own worst enemy,” laughs Rick Wakeman.