Q&a

REISSUES | COMPS | BOXSETS | LOST RECORDINGS

Rather gear collection of punky outsider artists’ BBC work recorded between 1978 and 1980.

WE WERE THE first band of our generation that started to grow up,” Billy Corgan says, reflecting on the making of the Smashing Pumpkins’ 1995 grand opus, Mellon Collie and the Infinite Sadness. “The b

AL JARDINE WILL be the first to tell you he didn’t play much guitar for the Beach Boys in the Sixties. Early Beach Boys albums — like Surfin’ Safari (1962) and Surfin’ U.S.A. (1963) — feature plenty o

Born in the titular Kent city in the late 60s, the Canterbury scene spawned some of prog’s most creative and quirky acts. From The Wilde Flowers and Soft Machine to Caravan and Gong, each had a distinctive sound and, in many cases, image that captured the hearts and minds of their followers. But the scene’s impact didn’t end in the 70s. Phil Howitt, Facelift editor and Hugh Hopper’s biographer, explores the new breed of progressive acts inspired by it, both consciously and unwittingly, and unearths the secrets of the ‘Canterbury chord’.

What began as a vague idea for two musicians from very different parts of the prog world to jam together has turned into an exciting electro-instrumental project. Bioscope combines the talents of Marillion’s Steve Rothery and Tangerine Dream’s Thorsten Quaeschning. The pair talk to Prog about the mutual respect they have for each other, and how they turned that into their long-gestating debut album Gentō .