ON THE SURFACE, guitar trends in 1986 looked downright wild and perverse — a weird parade of shred-happy virtuosos, anthemic power pop heroes, dirtbag metalheads and eccentric alt-rock outsiders. But

I’M NOT SURE if it’s the three-inch heels on her Doc Martens, but Emily Green dwarfs me as she strides across the stage. It’s about an hour before her band, Geese, soundchecks for their sold-out show

IT WAS THE summer of 1985, and Johnny Marr was a man out of time. Three years earlier, while still a teenager, the guitarist had co-founded the Smiths in Manchester, England, with vocalist Morrissey (

In 1966, THE VELVET UNDERGROUND AND NICO brought together the worlds of avant-garde art, European cool and downtown rock’n’roll in one explosive package. Sixty years on, the survivors share tales of drugs, breakdowns, burnouts, blocked toilets and hospital beds – and, of course, the creation of some of the most important music ever made. “We only did things our way,” learns Tom Pinnock . “We were arrogant, perhaps, in thinking we knew best. We were also right. We did know best…”

In “a junkyard of surrealistic mayhem”: Adele Bertei ...

PARADE BEGAN WITH a bruised ego. Two years earlier, in 1984, the 25-million-selling Purple Rain had set a sky-high bar. Now, the critical consensus was that Prince had fumbled the follow-up with Aroun