In 1976, the revolutionary singer-songwriter LAURA NYRO returned from self-imposed exile. But her comeback confounded expectations, shifting away from the impassioned intimacies of her early albums to embrace more radical perspectives. Fifty years on, Nyro’s collaborators revisit her striking second act. “She was a hip American from the Bronx,” one friend and producer tells Rob Hughes. “But her soul was old.”

Inside the US singer-songwriter’s path from early DIY explorations to modern country-folk force

Works by Offenbach Véronique Gens (soprano); Chœur et Orchestre National des Pays de La Loire/Hervé Niquet Alpha Classics ALPHA1168 55:49 mins This is not for the po-faced. If you enjoy charming and i

From The Bottom Of An Old Grandfather Clock (reissue, 2004) DEAD OCEANS

Mike Patton and the Avett Brothers join forces to create a work of immense beauty.

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson