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Where would movies be without music? Sure, images, story and dialogue are all important. But cinematic soundtracks provide that human connection – the key to character motivation and emotional truth.
When we think of all things Italian, in general terms, what do we think of? And how does that translate into music? As a musician, one might think of the heightened emotions of the Romantic era – spec
Ravel: Ma mère l’Oye; Stravinsky: Le Sacre du printemps Pavel Kolesnikov and Samson Tsoy (piano) Harmonia Mundi HMM902752 49:20 mins Those of us lucky, as I was at both their Ragged Music Festival and
Norman Lebrecht on Music HE WORKED SO ...
The solo cello carves out a slow-moving phrase. It’s not a melody as such, but it becomes a refrain, passed on to the accompanying six cellos. The listener becomes Hercule Poirot, picking out clues hi
Piano Trios; Piano Quintet, Op. 57* *Julia Fischer (violin),*Nils Mönkemeyer (viola); Oliver Schnyder Trio Prospero PROSP0035 76:52 mins Shostakovich’s Piano Quintet explores a bewildering variety of