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Alison Chisholm explores a poem that conveys the way objects don’t merely hold
Leigh Lawson has embraced acting and poetry with the same determination that sustained Marie Lloyd, the music-hall queen whose memorabilia he collects, as Carla Passino discovers
How the young Dylan Thomas repeatedly stole from others
GH ’s Simon Swift considers what future generations might make of our decisions about what to keep and what to let go of
I stood by the kitchen window; phone pressed to my ear. Outside, frost shimmered across the lawn, and the weak winter sun filtered through the trees. “So, what do you think?” I said to Phoebe. “A post
“You can’t live here. There are no shops,” my friend Jen stated. We were sitting in the van belonging to the pub I lived in, the Golden Cross, Slough, waiting for my parents who had an interview for t
Dear Simon, I was particularly interested in Sylvia Lee’s item on Cope’s Pools in Yesterday Remembered (Pools Party, December). I worked at the company’s offices in Edmonton, north London in 1966-67.