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Black And Blue UMC/POLYDOR

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

We often have big-name speakers at Autocar’s Great Women and Drivers of Change events, both intended to promote the automotive industry and recognise thriving careers within it, but sometimes it’s the

Sometimes a book deserves this slot just because it does exactly what it says on the tin – or, more accurately, the cover. That’s the case with Aston Martin – The Entire Story, which is a straightforw

They’d have loved the drama of it – bowing out almost exactly ten years apart. Born in the same year and with the same initials, both queens of the bonkbuster. One was a Hollywood lioness, the other a

In 1976, the revolutionary singer-songwriter LAURA NYRO returned from self-imposed exile. But her comeback confounded expectations, shifting away from the impassioned intimacies of her early albums to embrace more radical perspectives. Fifty years on, Nyro’s collaborators revisit her striking second act. “She was a hip American from the Bronx,” one friend and producer tells Rob Hughes. “But her soul was old.”