Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

JOHN LYDON WITH PHIL MEARS “This pic of myself and John Lydon was taken at the Waterside Arts Centre in Sale, Greater Manchester, as part of his I Could Be Wrong, I Could Be Right spoken word tour on

This month…

JANUARY 1966

Classic Pop’s team will only get one chance to celebrate our 100th issue, so we thought we’d take this opportunity to highlight some pivotal moments that have got us to this point. Many of you have be

It’s a joy watching our favourite singers or actors, but though we might admire them and enjoy the happiness they bring, do we ever give a thought as to how precarious the world of entertainment actua