Gustav mahler

National Symphony Orchestra/ Gianandrea Noseda NSO NSO0022 75:12 mins Mahler’s mad-cap Seventh is the toughest of his symphonies to conceptualise and to execute. Lacking any explicit programme, two of

Kammerorchester Basel/Giovanni Antonini Alpha ALPHA1092 76:29 mins The most familiar of the symphonies here, if only because it has a nickname, is No. 55, whose ‘Schoolmaster’ title arises out of the

‘We’re going to have a tonal centre and tap our feet, and that’s the way it is.’ Steve Reich is in full flow, talking to me from his home in New York. ‘The big break, the knife down the line, was betw

Cappella Amsterdam; Noord Nederlands Orkest/ Daniel Reuss Pentatone PTC5187489 72:42 mins ‘He always was and still is ahead of everybody.’ The words of Stravinsky’s musical assistant and colleague, Ro

Steven C Smith Oxford University Press 978-0-197-68128-2 312pp (hb) £31.99 Theirs remains one of the most thrilling composer-director collaborations of all time, and while Bernard Herrmann and Alfred

Kahchun Wong remembers vividly the moment it happened. ‘With an orchestra, you know it when it clicks, when there is a chemistry,’ he recalls. ‘I went to the first rehearsal without any expectation. I