Orchestral choice a voiceless tristan which still manages to sing loudly

Jan Smaczny is enthralled by Isabelle Faust’s unique approach to the demanding material of Bach’s little-known violin works JS Bach Sonatas for Violin and Continuo Isabelle Faust (violin); Kristin von

Had Tchaikovsky had his way, his The Tempest might not actually have had a tempest in it at all. As he first pondered his Shakespearean fantasy-overture in early 1873, the Russian composer considered

Musical instruments have power, simply as things. They speak. They generate emotion. They tell stories about life, death, happiness and sadness – and about the past, which they can resurrect with curi

Hildur Guðnadóttir is scrolling through her phone. Whereas most people use the device to collect photographs and notes alongside contact numbers, the Icelandic composer records snippets of music. Thes

Music cannot work a magic spell. It can, however, do wonderful things. In recent issues of BBC Music Magazine, we have explored the benefits to mental health of listening and playing music, not least

Sir Donald Runnicles studied at the University of Edinburgh and St John’s College, Cambridge, before beginning his career as a singers’ coach and assistant conductor in Mannheim, Germany. He has been