Giuseppe tartini

On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just

The summer of 1791 was an exceptionally busy period, even by Mozart’s habitually hardworking standards. He was, to begin with, composing a new opera, Die Zauberflöte (‘The Magic Flute’). Then, in June

‘I was born twice,’ said the great Russian bass Feodor Chaliapin. ‘In Kazan I opened my eyes to life, and in Tbilisi to music.’ What is it about music and the Georgians? Some members of that Caucasian

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Jonathan Gaisman is a KC and a writer on cultural topics

Joseph Haydn looked every bit the European celebrity on the night of 4 May 1795. Newly opened in 1791 after a fire, the King’s Theatre glowed in the brilliant flicker of candle chandeliers. At the fro