Evocative debussy and spellbinding stravinsky

Jan Smaczny is enthralled by Isabelle Faust’s unique approach to the demanding material of Bach’s little-known violin works JS Bach Sonatas for Violin and Continuo Isabelle Faust (violin); Kristin von

Had Tchaikovsky had his way, his The Tempest might not actually have had a tempest in it at all. As he first pondered his Shakespearean fantasy-overture in early 1873, the Russian composer considered

Music cannot work a magic spell. It can, however, do wonderful things. In recent issues of BBC Music Magazine, we have explored the benefits to mental health of listening and playing music, not least

Franz Schubert’s Moments Musicaux Op 94 are as captivating and expressive as any of his works, and a good deal more accessible to intermediate players than many. Although published in 1828, Schubert h

In 1984, a truncated version of Maurice Ravel’s orchestral piece Boléro was used to accompany a routine by British ice-dancers Jayne Torvill and Christopher Dean at the Sarajevo Winter Olympics. The p

‘What Americans call safe music bores me,’ declared Michel Legrand in a 2005 interview, in which he reflected on the high profile he had achieved as one of the world’s leading film composers. ‘If you’