Imogen holst

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On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just

Jonathan Gaisman is a KC and a writer on cultural topics

‘Dear Mr Grieg: I am writing to you in connection with a plan that I propose to implement, and in which I wish to invite your participation.’ The tone is impeccably formal and business-like, but the l

Classical music has a problem with perfection. You’d have thought the most important job of any professional musician was learning, playing and repeating the notes composers wrote down so often that t

Claire Jackson’s opinions on Brahms (Hero or Hype?; August) resonated with me. I studied his First Symphony for O-Level, and his Fourth for A-Level. Then at college, my piano teacher insisted I learn