A lyrical set of 17th-century premieres

Jan Smaczny is enthralled by Isabelle Faust’s unique approach to the demanding material of Bach’s little-known violin works JS Bach Sonatas for Violin and Continuo Isabelle Faust (violin); Kristin von

Had Tchaikovsky had his way, his The Tempest might not actually have had a tempest in it at all. As he first pondered his Shakespearean fantasy-overture in early 1873, the Russian composer considered

Robert Thicknesse on Opera

Music cannot work a magic spell. It can, however, do wonderful things. In recent issues of BBC Music Magazine, we have explored the benefits to mental health of listening and playing music, not least

Musical instruments have power, simply as things. They speak. They generate emotion. They tell stories about life, death, happiness and sadness – and about the past, which they can resurrect with curi

What Italian opera signified to the Habsburg court