Hrůša’s lovingly detailed postcard

Jan Smaczny is enthralled by Isabelle Faust’s unique approach to the demanding material of Bach’s little-known violin works JS Bach Sonatas for Violin and Continuo Isabelle Faust (violin); Kristin von

Had Tchaikovsky had his way, his The Tempest might not actually have had a tempest in it at all. As he first pondered his Shakespearean fantasy-overture in early 1873, the Russian composer considered

Musical instruments have power, simply as things. They speak. They generate emotion. They tell stories about life, death, happiness and sadness – and about the past, which they can resurrect with curi

Colorado, USA. Home to the chalet resort of Vail, where the north American elite strap on their skis for the winter season. In the summer, however, Vail takes on a different guise, offering more low-i

Hildur Guðnadóttir is scrolling through her phone. Whereas most people use the device to collect photographs and notes alongside contact numbers, the Icelandic composer records snippets of music. Thes

Franz Schubert’s Moments Musicaux Op 94 are as captivating and expressive as any of his works, and a good deal more accessible to intermediate players than many. Although published in 1828, Schubert h