Langgaard’s operatic rarity is a feast for the eyes and ears

Robert Thicknesse on Opera ● ON THE FACE ...

However highbrow we think we are, we’ve all been guilty of it – that is, sitting in a concert or opera and waiting impatiently for ‘the famous bit’. In some instances, that well-known moment may be ju

Opera: Dead Man Walking Coliseum, London WC2 (020-7845 ...

Jonathan Gaisman is a KC and a writer on cultural topics

‘Dear Mr Grieg: I am writing to you in connection with a plan that I propose to implement, and in which I wish to invite your participation.’ The tone is impeccably formal and business-like, but the l

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