Spellbinding bruckner from järvi’s peerless swiss

Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy

Symphony No.1 (arr. Shai Wosner); Piano Trios, Op. 70, No. 1 ‘Ghost’ & Op. 11 ‘Gassenhauer’ Yo-Yo Ma (cello), Leonidas Kavakos (violin), Emanuel Ax (piano) Sony 19802908842 78:03 mins Smiles are power

On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just

CONCERT HEAVEN Zosha Di Castri, Jocelyn Morlock, Nicole Lizée, John Estacio Life Reflected National Arts Centre Orchestra Eskasoni, Cape Breton Nation (May 2017) This concert was during one of my earl

Joseph Haydn looked every bit the European celebrity on the night of 4 May 1795. Newly opened in 1791 after a fire, the King’s Theatre glowed in the brilliant flicker of candle chandeliers. At the fro

Claire Jackson’s opinions on Brahms (Hero or Hype?; August) resonated with me. I studied his First Symphony for O-Level, and his Fourth for A-Level. Then at college, my piano teacher insisted I learn