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CHAMBER CHOICE
Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy
On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just
Symphony No.1 (arr. Shai Wosner); Piano Trios, Op. 70, No. 1 ‘Ghost’ & Op. 11 ‘Gassenhauer’ Yo-Yo Ma (cello), Leonidas Kavakos (violin), Emanuel Ax (piano) Sony 19802908842 78:03 mins Smiles are power
Jonathan Gaisman is a KC and a writer on cultural topics
Claire Jackson’s opinions on Brahms (Hero or Hype?; August) resonated with me. I studied his First Symphony for O-Level, and his Fourth for A-Level. Then at college, my piano teacher insisted I learn
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